AI動画生成ツール

A cinematic promotional shot for Nike brand, featuring a dynamic athlete sprinting in slow motion, wearing professional Nike sportswear, intense facial expression, sweat, motion blur background, stadium floodlights, the iconic Nike Swoosh logo glowing, inspirational atmosphere, high contrast, 8k resolution, photorealistic, ultra-detailed, commercial photography, wide angle lens, advertising style.

Video Theme: Fast-Paced One Minute Makeup Challenge Core Idea: Create a vertical beauty short video with a duration of approximately 10 seconds. The core concept of the video is "One Minute Makeup Challenge," with a countdown timer starting from 01:00 displayed on the screen. The video needs to clearly show every key step from bare face to finished makeup, accompanied by text labels, but the overall pace is faster than the original video, with almost no pause between transitions, creating a smooth and efficient "accelerated" feel. Visual Style & Parameters: • Shot: Fixed camera Medium close-up, vertical format (9:16). • Lighting: Bright, clean studio lighting. • Background: Simple solid color gradient background. • Pacing: Brisk, compact. The transition of each makeup step is rapid but clearly distinguishable, retaining the "rhythm" of the original video. • Graphics: • A white digital countdown timer starting from 01:00, counting down uniformly within the total duration of the video to 00:00. • When each makeup step appears, concise bilingual Chinese and English text labels will be superimposed on the screen (e.g., "Foundation and Concealer / Foundation and Concealer"). Keyframes & Flow Description: The video flow remains consistent with the original video, but the duration of each step is shortened accordingly: 1. Opening: Bare face appearance, the screen displays the title "One Minute Makeup" and a timer counting down from 01:00. 2. Base Makeup: "Foundation and Concealer" effect appears instantly, skin becomes flawless. 3. Contouring: Immediately afterwards, "Highlight", "Blend", and "Loose Powder" effects appear in sequence, making facial contours three-dimensional. 4. Eye Makeup: "Eyeshadow", "Eyeliner and Mascara" effects stack quickly, completing the eye makeup. 5. Cheek & Lip: "Blush" and "Lipstick/Lip Gloss" effects appear, enhancing complexion. 6. Hairstyle & Accessories: The text "You forgot to curl hair" appears, and the hair instantly changes to fluffy long curly hair. Immediately afterwards, gorgeous jewelry accessories are instantly worn. 7. Ending Freeze: When the timer reaches zero, look confidently at the lens with a complete gorgeous look as the ending.

【Style】Viral CEO Drama, Portrait Mode, High saturation filter, Extreme facial close-up, Exaggerated emotional swings. 【Duration】15 seconds 【Characters】Humiliated Groom (wearing a cheap suit, eyes holding back forbearance) VS Mean Mother-in-Law (covered in jewelry, face full of disdain). [00:00-00:05] Shot 1: Extreme Humiliation (Humiliation). Luxury wedding venue. The mother-in-law fiercely smashes a paper "Marriage Withdrawal Letter" onto the groom's chest in front of everyone, surrounding guests burst into loud laughter. 【Action】Mother-in-law pokes the groom's forehead with her finger. 【Dialogue Lip-sync Guidance】"No car no house and you want to marry my daughter? Take this 100 bucks and get out!" [00:05-00:10] Shot 2: The Turn (The Turn). The groom suddenly sneers, tears up the marriage withdrawal letter. At this moment, huge propeller sound (sense of sound effect) overwhelms the venue, strong wind messes up the mother-in-law's hairstyle. 【Action】Groom adjusts his collar, aura instantly becomes domineering and leaking. 【Dialogue Lip-sync Guidance】"This marriage, is what you wanted to withdraw from." [00:10-00:15] Shot 3: The Reveal (The Reveal). The gate is knocked open, two rows of black-clad bodyguards rush in, kneel on one knee to lay a red carpet. An old butler tremblingly holds a yellow robe (or supreme black card) and runs to the front of the groom to bow deeply. The mother-in-law collapses to the ground in fear, pupils quaking. 【Dialogue Lip-sync Guidance】Old butler shouts: "Welcome the Dragon King (Young Master) back to power! Family assets have been unfrozen!"

A multi-shot cinematic kitchen comedy about a family of mythical creatures. Integrated sound. Photorealistic, raw, cavernous tone, expressive micro-acting. No on-screen text. Photorealistic shooting. 180° shutter, 24 fps. Shot 1: Close-up of the little goblin girl at

SCENE: ORGANIC ALIEN ARRIVAL - DOWNTOWN Quick Cuts - Beat-Sync Hard Editing (140 BPM, 15 Shots) ATMOSPHERE: Visceral biological dread. Gargantuan, pulsating organic entities eclipse the urban skyline. High-contrast, tactile dread. SHOT DESCRIPTION: A rhythmic, 15-shot sequence transition from wide entry to macro-destruction. Fleshy, prehensile limbs constrict and crush skyscrapers in a visceral display of biological power. TIMELINE / SHOT-BY-SHOT: 0:00–0:03 - HOOK 0:00–0:01 - IMAX WIDE. Fleshy obsidian entity with undulating membranes tears through clouds, casting a monumental shadow. SFX: Deep organic thrum. 0:01–0:02 - ECU. Asphalt puddle ripples intensely. SFX: Surface tension snap. 0:02–0:03 - GROUND POV. Handheld shake. Rusted sign vibrates as pigeons scatter. SFX: Wing flapping. 0:03–0:07 - FIRST IMPACT 0:03–0:04 - WIDE. Blinding magenta biological pulse erupts from core into the city. SFX: Biological crackle. 0:04–0:05 - MEDIUM. Skyscraper buckles as thick, prehensile limbs wrap around and squeeze. SFX: Concrete grinding. 0:05–0:06 - SLOW MOTION. Crowd sprints through dense gray dust. SFX: Muffled screams. 0:06–0:07 - ACTION. Yellow taxi flipped by a stray, whip-like appendage. SFX: Metal crunch. 0:07–0:11 - TENSION 0:07–0:08 - LOW ANGLE. Towering bio-behemoth with glowing veins emerges from yellow smoke. SFX: Wet, rhythmic breath. 0:08–0:09 - CLOSE UP. Massive suction-cupped limb presses into pavement, rippling asphalt. SFX: Wet squelch. 0:09–0:10 - MEDIUM. Internal thoracic ripples charge with magenta glow behind translucent skin. SFX: Heartbeat pulse. 0:10–0:11 - MACRO. Glass shards reflect the burning organic skyline. SFX: Glass tinkling. 0:11–0:15 - FINAL SCALE 0:11–0:12 - WIDE. Behemoth rises, tentacles trailing like massive sails. SFX: Wind roar. 0:12–0:13 - TRACKING. Fighter jets streak across rooftops. SFX: Engine scream. 0:13–0:14 - EPIC PULLBACK. Skyscraper constricted by biological tentacles, dissolving into dust. SFX: Structural collapse. 0:14–0:15 - AERIAL WIDE. Sudden freeze frame on citywide devastation and bioluminescent fires. SFX: Silence after crescendo. TECHNICAL & RENDER: - Camera: Heavy handheld mixed with sweeping grand-scale establishing shots. - Light: High-contrast sunset; volumetric magenta bioluminescence. - Lens: IMAX 70mm, 14mm-85mm range. - Modifiers: Shot on 35mm film, photorealistic, cinematic atmospheric lighting, 8k, volumetric rendering. MICRO DETAILS & TEXTURES: - Undulating skin with bioluminescent vein networks. - Viscous slime dripping from limbs; concrete dust on wet surfaces. SOUND LAYERS: 0:00-0:04: Deep organic thrum; wind. 0:04-0:10: Squelching, grinding concrete, subsonic pulses. 0:10-0:15: Structural crashes; high-frequency tinnitus ring.

Handheld shot circling two boxers practice sparring in a gritty gym, purposefully missing each other with their swings. Sweat droplets, sharp impacts, breathing intensity. Shallow depth of field, practical lighting, visceral realism, stable identity. Duration: 10s. Aspect ratio: 16:9. Photoreal cinematic. Single shot unless specified. Avoid text, captions, watermarks, logos. Stress camera movement: smooth parallax, consistent objects, stable faces; no text

A dense industrial refinery during a thunderstorm, metal catwalks and pipes forming a maze above a sea of fire and steam. The masked ronin, lit by flashing warning lights, confronts a colossal mechanical beast with hydraulic limbs and a furnace burning in its chest. The camera barrels after the ronin as he sprints along swaying catwalks, the structure groaning and buckling under the monster’s weight. Sparks and steam constantly obscure the frame as the beast’s limbs smash through railings and tanks, causing explosions that hurl the camera off-axis. Quick, shaky close-ups capture the ronin sliding under swinging metal arms and using chains and cables to slingshot himself upward. In the final movement, the camera chases him in a dizzying upward spiral as he climbs the creature’s back, then cuts to a wide but still trembling shot as he plunges his sword into the furnace chest, sending a pillar of flame skyward that silhouettes his figure against the stormy sky.

Handheld running shot with an overflowing bag of gold coins, jumping into water, and having the camera follow him underwater.

Brand Y · The Future Is Here (15 Seconds · Hollywood Commercial Blockbuster Version) Core Creative: Congested Ground (Reality Dilemma) -> Mechanical Transformation (Technology Highlight) -> Vertical Takeoff (Freedom and Future). Style Setting: High-end Car Commercial Texture. Cyberpunk Future City, Cold Rainy Night, Neon Light and Shadow. 8K Ultra Clear, Transformers-level Mechanical Details, Extreme Speed Streaming Light. Storyboard Details: Shot 1: Ground Dilemma Visual: Close-up. An extremely streamlined silver supercar "Y" is stationary on a congested neon rainy street. Rain slides over its smooth car paint, reflecting red tail lights. Details: The minimalist "Y" glowing logo on the car head flickers slightly with a breathing light. Surrounded by noisy honking sounds, the protagonist (car) appears calm and elegant. Shot 2: Mechanical Awakening Visual: Extreme Macro Close-up. Action: Driving mode switch. Precision mechanical meshing sounds are emitted from inside the wheels, tires flip downward 90 degrees, revealing internal injection ports. Special Effects: Eerie blue plasma thrusters ignite instantly, instantly evaporating the rain on the road surface into white mist. The car body hovers vertically and smoothly amidst the exclamations of the crowd. Shot 3: Aerial Future Visual: Wide-angle follow shot. Action: Instant acceleration from a standstill. The car "Y" turns into a silver lightning bolt, pulls up vertically, speeds between skyscrapers, leaving the red traffic on the ground behind. Ending Freeze-frame: The car body flies towards a giant full moon, a silver metallic 3D logo emerges in the center of the screen: "Y - Drive the Future".

A fast-paced fight scene: John Wick &. James Bond (007) & another guy — a three-way brutal showdown.

The Office episode where Dwight and Michael have a conversation about mogging, jestermaxxing, and foids.

A Chinese mythological youth with double buns, a red mark on his forehead, and red ribbons walks into a Chinatown filled with red lanterns. He is looking for a group of one-eyed or two-eyed yellow capsule-shaped small creatures wearing blue overalls. Subsequently, the youth waves a red silk ribbon to unfold a comical chase battle with this group of yellow small creatures.

Generate a 15-second video clip in the style of a casual passerby's snapshot, mobile phone horizontal screen Vlog perspective, calm and documentary tone. Hyper-realistic CG blended with real footage, realistic fur physics simulation, visuals resembling accidentally recorded magical realism daily life. Scene: Chengdu Taikoo Li, coexistence of modern commercial blocks and low-rise old buildings, pedestrians are relaxed, city rhythm is normal. Core Setting: A proportionally enlarged giant panda, body taller than surrounding buildings, quietly stuck between new and old buildings. Thick fur, natural black and white boundaries, light creates realistic light and dark layers. Movements are slow with a sense of weight, footsteps cause slight vibrations, air produces low-frequency feedback. Emotionally stable, no reaction to onlookers, like a daily state. Timeline: 0-5 seconds Ordinary mobile phone horizontal screen, normal pedestrian activity on Taikoo Li street. Camera tilts up casually, discovering a giant panda stuck between two old buildings, lowering its head to blink, expression calm. 5-10 seconds Long shot passerby perspective, onlookers gather but are not panicked. The panda tries to slightly adjust its body then gives up, a shop assistant hands out a bamboo decoration. The panda leans close to sniff, pauses briefly then loses interest. Breathing causes surrounding cloth flags to sway slightly. 10-15 seconds The panda rests its chin on the eaves, the roof sinks slightly then stabilizes. It closes its eyes and slowly chews bamboo. Subtitle or Voiceover: "The scene is orderly, it has no intention of leaving for the moment."

1969 Hollywood, Tarantino-style night scene by a backyard pool, will smith picks up a flamethrower and unleashes a burst of fire toward a hippie intruder that is inside the pool, the hippie burns alive in the pool screaming, diffrent cuts, 35mm gritty film, high contrast, warm firelight, tense cinematic mood

a 15-second video clip showing a hyper-realistic recreation of Bryan Cranston as Walter White (from Breaking Bad) delivering an intense, dramatic monologue in what looks like a supermarket setting. The character appears in his signature Heisenberg look (bald head, goatee, intense stare), gesturing emphatically while speaking with perfect lip-sync, natural facial micro-expressions, realistic skin texture, lighting, and subtle body language. The overall quality feels cinematic - smooth camera movement, believable emotion, and no obvious AI artifacts like warping or uncanny motion that plague older models.

A figure in red stands on a snowy rooftop. Crimson blade humming. Three drones descend from the storm.

two podcast bros talking about how anyone can build an app now, and the ones who will win are the ones who have great taste and master distribution.

A cinematic and chaotic tracking shot with handheld camera motion and camera shake shows an explorer holding an ancient scarab artifact. They are running away from a giant pursuing mummy. Debris and dust clouds can be seen. The mummy is causing sections of the ancient wall to crumble. The explorer runs away frantically while occasionally looking back, you can hear her heavy breathing. She continues running until she narrowly escapes once the mummy almost grabs her but it hits a pillar causing it to fall on itself, the explorer then continues running into the entrance of a tomb.

make a braking bad show in another universe where Walter white is an AI bro trying to pitch is idea to Gus,

A radio operator in an Antarctic station picks up a transmission that makes her tear off her headphones. She runs to the window. On the ice shelf a mile out, something enormous is pushing up from below, cracking the surface in a perfect circle. The horizon tilts as the shelf begins to calve. VFX: ice fracture radial simulation, subsurface pressure displacement, blizzard particle system, emergency red light strobing inside the station. Aesthetic: Whiteout white and deep station red, John Carpenter isolation palette, small human enormous threat, the ice as a lid being lifted from underneath, cold light, colder dread.

Dimly lit art gallery after hours. Shot 1 (0-7s): Security guard walks past a 19th-century oil portrait of a woman. Shot 2 (7-15s): Slow push-in on the painting — the woman’s eyes follow him, then she slowly raises a finger to her lips in the painting while the real guard’s mouth is forced shut by invisible hands. Canvas texture hyper-real, oil paint moving like skin. Audio: guard’s muffled screams, wet paint sounds, gallery echo.

A young teenage boy inside a dark mystical cave filled with stalactites and glowing blue crystals. The boy wearing a blue hoodie reaches out and touches a bright glowing crystal. Suddenly intense blue energy bursts out, lighting up the entire cave. Cinematic lighting, volumetric light rays, dramatic lens flare, ultra realistic, 4K, high detail, fantasy atmosphere. The boy begins transforming into a superhero wearing a red and blue suit with a flowing red cape. Epic transformation scene, energy particles, glowing aura, dynamic camera movement, Hollywood movie style, dramatic background, high contrast, slow motion effect.

the character launches into the first attack, spinning into a high kick that sends one clone staggering backward into a fence. He immediately flips backward, lands on his feet, and ducks under another clone’s punch, sweeping his leg to knock it off balance. the

Girl character reference image 1 character [Style] Hyper-realistic daily life at home, cozy living room, soft indoor lighting, realistic and natural, cinematic quality, first-person boyfriend perspective [Scene] After the girl takes off her veil, sitting on the sofa, eating chips while watching TV, boyfriend sitting on the sofa looking at her. [Action and Lines Strict timing sequence, finish the previous sentence before proceeding to the next, no overlapping, no disorder] 1. Camera perspective male says: I want to eat chips too. 2. Girl smirks looking at the camera, says: Call me Mommy and I will give you some. 3. Camera perspective male immediately shouts: Mommy. 4. Girl instantly surprised, blushing and shy, takes a chip from the bag, says: Oh my, why did you actually call me that, okay okay fine, I will let you eat it. 5. Camera perspective male gently pushes her hand back, says: I want you to feed me personally. 6. Girl's face turns even redder, holds half of the chip in her mouth, slowly approaches the camera with the chip in her mouth, mouth holding the chip, speaking softly and indistinctly, unclear articulation: I really spoil you to death. [Requirements] Smooth and natural movements, delicate and realistic expressions, relaxed pace, home couple atmosphere, stable and clear picture

Seedance 2.0 uses AI technology to vividly revive the Qing Dynasty court Gongbi color painting "Donglin Hongyu". Mid-autumn jujube forest, children playing and frolicking, dynamically restoring the spirit of ancient painting brushwork and the childlike innocence of the marketplace, using modern technology to awaken traditional Chinese style art, feeling the vivid charm of centuries-old Gongbi painting.

Bedroom realistic selfie vlog style, screen with slight motion blur and graininess, looks like an iPhone snapshot, low image quality but bursting with girlishness. Subject is a super high visual quality Asian girl with cold white skin, vintage side-swept bangs, half-tied long hair, fluffy and lazy, winter reasonable off-shoulder outfit (oversize sweater slipping off shoulder + small camisole), petite and young body, pure and lust idol temperament. She is sitting cross-legged on the bed, facing the camera (imaginary phone) with various random cute poses: tilting head winking, resting chin on hand pouting, stroking hair laughing, suddenly covering face shy, expressions are natural, vivid and random. Background bedroom is a bit messy (pillows placed randomly, clothes draped on chair), natural light + warm lamp, shallow depth of field, upper body close-up mainly, occasionally cutting to full body small movements. Overall like an accidental snapshot of daily vlog fragment, excluding perfect composition, stiff movements, AI flavor distortion, HD without grain, emphasizing realistic snapshot feel and cute charm.

Live-action footage with real actors, model participating in a cosplay convention, ultra-high-definition camera pointing at a pair of bare feet without socks, camera orbiting around the character, slowly panning up, arriving at the character's hips, finally the lens falls on the character's chin, unable to see the whole face. Camera zooms out, seeing the entire character's upper body, character starts to show off figure within the scene, expression is charming, blowing a kiss expression at the camera, gently saying a sentence: "Am I good-looking?". Image quality high definition 8k, photographic level quality. Live-action actor filming, not animation, ultra-realistic realistic quality, can clearly see actor's clothes folds, skin texture, pores, slight sweat, detailed micro-expressions, captured various rich details.

Total duration 15 seconds, reference character Image 1 Appearance, wearing a cyan wide-sleeved long robe, a jade belt around the waist, hair in a bun with a crown, sleeves fluttering lightly, face cold and handsome, temperament sharp and calm. [Scene Tone] Ancient style fantasy wonderland, top of a high mountain, clouds and mist surging like a waterfall, falling flowers scattering all over the mountain, pink and white petals sweeping like snow; strong light and shadow contrast, dark tone base matched with peach blossom diffuse soft light; extremely delicate image quality, cinematic wide-screen composition, high contrast HDR tone, 2K ultra-clear resolution. [Character Action · Full Duration] The character holds a slender ancient sword in one hand, displays high-speed martial arts body technique, jumps and dodges, steps as fast as the wind, sword moves are continuous, no pause between moves, every move is clean and neat, imposing and sharp; the sword body flows with a pale blue halo, the sword energy trajectory leaves flowing light afterimages in the air; sleeves fly violently with the movement, hair and hair ribbons dance with the wind; the whole action is high-speed and smooth, no gaps no pauses, the rhythm is tight and hearty. [Storyboard Camera Movement · Three Segments] 0-1 second: Ultra-wide angle low-altitude dive push-in lens, strong perspective, lens pushes forward at high speed and rotates slightly, strong motion blur, character jumps from long shot to close shot, aura rushes towards the face, lens continues to move without being stationary. 1-12 seconds: Lens follows the sword momentum at high speed and moves synchronously, alternating between sudden stops and sudden starts; circular orbiting follow shot combined with large amplitude whip pan switching angle combined with high-energy zoom push and pull combined with extreme slow motion (only slow down for about 0.3 seconds at the peak of key actions then immediately return to high speed), lens always takes the ancient sword as the visual core, follows the sword closely without deviation; multiple quick switches, alternating angles (low angle looking up, side follow flat shot, high angle looking down), compact rhythm. 12-15 seconds: Character jumps into the air to the highest point, holds the sword with both hands and performs the closing move downwards, sword energy spreads outwards to form light wave ripples, sky full of petals and clouds surge and scatter with the airflow, petals and water droplets splash with the movement, light pillar rushes to the sky, lens slowly pulls away, ending with a magnificent panoramic view. [Special Effects Details] Sword body halo particles flow continuously, petal fragments fly scattered with the moves, clouds and mist surge and churn with the sword energy disturbance; action peak has real physical texture, movement trajectories of petals and water mist particles are natural; sword chanting sound resonates synchronously with the action rhythm; action peak strike texture is strong, slow-motion instant details are clear and shocking, screen tension is full. [Style Tags] Ancient style fantasy martial arts performance, realistic physics engine, high-speed camera movement, strong action texture, high contrast dark tone light and shadow, peach blossom wonderland scene, 2K cinematic image quality.

Bedroom scene, full of girlishness. The main subject is a super high-looking beautiful girl @[ @Figure 1], reasonable winter off-shoulder outfit, a girl with a vintage high ponytail and oblique bangs. She has a petite and young figure, she radiates a pure and lustful idol temperament, fair skin, cold white skin tone, pouting lips acting cute posing, making cute expressions. This is a photo taken with the latest model iPhone (do not show the phone itself), the image has slight motion blur, snapshot style of a casual shot, candid capture, slight exposure high quality, close-up shot, obvious image graininess, Y2K atmosphere filter. Original aspect ratio. Makeup vlog.

Segment 1: Refer to the character movements and camera movement techniques of @Video 1, generate a video of the black-clad character in @Image 1 throwing a flying knife in the bamboo forest. There is only one character in the video, the black-clad woman. The perspective and shot size of the starting frame must strictly refer to @Video 1. After the flying knife is thrown, use slow motion to focus on the flying knife and blur the black-clad character. Note that the knife flies towards the lens with the blade edge facing the lens. Achieve a 1-to-1 restoration of the reference video, only changing the character to a black-clad woman. Generate only combat sound effects and environmental sound effects, do not add background music. Segment 2: Refer to the perspective of the flying knife flying forward and camera movement techniques of @Video 1, generate a video of a flying knife flying forward. The flying knife perspective gradually zooms out to show the woman in @Image 1 practicing sword in the forest. The woman uses the sword to block the flying knife. There is only one character in the video, the green-clad woman. Note to maintain the starting frame perspective and camera movement shot size strictly referring to @Video 1. Generate only combat sound effects and environmental sound effects, do not add background music.